12079778_10106285764738939_240672169261332420_oA Finalist for the 2016 National Book Award for Poetry

A Finalist for the 2017 PEN Open Book Award

Winner of the 2017 American Book Award

Winner of the 2017 Pen Center USA Literary Award in Poetry

One of The New York Times Book Review‘s 100 Notable Books of 2016

A Publishers Weekly Best Book of 2016

A Washington Post Best Poetry Collection of 2016

One of The New Yorker‘s Books We Loved in 2016
One of the San Francisco Chronicle‘s 100 Recommended Books of 2016
“An urgent collection. . . . [Sharif’s poems] work at the more radical aim of challenging the reader’s complacency. . . . [They] demand witness.”Bookforum

Solmaz Sharif’s astonishing first book, Look, asks us to see the ongoing costs of war as the unbearable loss of human lives and also the insidious abuses against our everyday speech. In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family’s and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed in America’s invasions of Afghanistan and Iraq, and in the discrimination endured at the checkpoints of daily encounter.

At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.”



Available for purchase:

Graywolf Press
Barnes & Noble


Selected Praise:

“Solmaz Sharif’s poems marry an exquisite lyric sensibility to a profound social conscience, and in so doing they urge a renewed sensitivity to the private costs of public conflict. They are also beautifully and inventively crafted, never letting readers forget that what is at stake begins in language.”—Tracy K. Smith, citation for the Holmes National Poetry Prize

“[An] excellent debut collection. . . . In Sharif’s rendering, ‘Look’ is at once a command to see and to grieve the people these words describe—and also a means of implicating the reader in the violence delivered upon these people. ”The New York Times Book Review

“Remarkable. . . . By turns fierce and tender, the poems are a searing response to American intervention.”The New Yorker
“[Sharif] forces you to suspend yourself and consider your relationship to language really deeply.”—NPR, All Things Considered
“A powerful collection of verse. . . . She turns a system of language back onto itself. . . . remarkably profound.”BOMB Magazine

Look creates an after-image similar to that of Robin Coste Lewis’ National Book Award-winning 2015 debut, Voyage of the Sable Venus, with its meditation on the long aftermath of slavery and diaspora. Like that book, Look feels like a disassembled museum exhibit with the occluded stories — the ones not told — written into view. Look, it compels you to do, and you will.”Los Angeles Times

“This debut from Solmaz Sharif, a poet of Iranian descent, offers another kind of take on the most pressing issues of our moment: war in the Middle East, the war on terror, the devastation ravaged upon families in the name of freedom. Sharif has a vast poet’s toolkit.”Craig Morgan Teicher, NPR.org

Look is a book that disrupts, fervently and effectively. The poems within are allergic to complacency and linguistic hypnosis; they constantly reach, inquire, prod, and wonder—sometimes with force—and refuse to allow the reader to be lulled into the sense that everything is okay in the world.”The Rumpus

“Sharif’s work transcends the standard tropes of political poetry. Neither didactic nor angry, her poems delicately balance sadness and loss, anxiety and fear and hope and humor. . . . Illuminating and heartbreaking, Look demands that the reader pay attention to their own relationship with the adopted, euphemistic language of power, politics and destruction.”Spectrum Culture

“A complicated, commanding account of contemporary American life. . . . The poems in Look shift between clear-eyed description and exhausting wariness, painful in their honest assessment of the destruction caused by our present conflicts and ways of being. . . . Look has been published just when it is most needed. . . . The work [these poems] do is utterly necessary. . . . To see another person’s humanness: Look calls us back to this most simple, this most essential task.”Harvard Review

“As heart-wrenching as they are intriguing, these highly anticipated poems are beautifully devastating.”BookTrib

“There are few books, whether debuts or not, to more anticipated than the publication of Solmaz Sharif’s Look.”Literary Hub

“No debut poet of 2016 has me more intrigued than Solmaz Sharif.”Flavorwire

“I haven’t been as excited about a first book of poetry for a long time as I am about Solmaz Sharif’s forthcoming Look. . . . This feels like an important book, not just a good one.”—David Baker, The Poetry Foundation

“Solmaz Sharif’s Look confronts an empirical system of language and its effect on family and citizen, near and far-reaching, social and philosophical. By unearthing, decoding, and reconstructing half-hidden symbols of power built into nomenclature as well as everyday expression, the poet serves truth—sometimes delicately, other times brutally: ‘The ground meat left out / for strays, the sewing needles planted in it.’ In fact, each phrase pulls the reader into a system of being, personal and historical, and Look, line by line, extends toward prophecy and (‘I am singing to her still’) harmony.”—Yusef Komunyakaa

“Solmaz Sharif’s beautiful and important poems patrol the boundaries and limits of language. They show how words can demean experience and also lift it up. These are political poems that never lose sight of the personal, simply because they insist that the truth of one is inseparable from the reality of the other. I can’t remember a more distinguished debut.”—Eavan Boland

“I think analysis means to separate elements in order to reframe, even penetrate, apparent meaning. So here (Look), a poet’s book takes on a military book in order to understand or reflect war—which is impossible because war is the shattering of home and love in a state of absurdity, thinly veiled by a new vocabulary to hide monstrosity. Solmaz Sharif’s Look is something great. She throws us a brilliant, even perfect, book of poems sadly central to the nightmare of today.”—Eileen Myles


Praise from Booksellers (with links to buy from them directly):

“Solmaz Sharif’s Look upends the vernacular of war, so that ‘shelter’ is given, fruit is ‘bruised,’ and poppy stems, not people, break. Language is reclaimed (or withheld) from a state of emergency, dared to mean instead of warn. Like Inger Christensen’s Alphabet, Look tasks itself with naming, or redressing, in effort to ‘cast a loving light’ on defendants, families, histories. ‘So you feel like a threat?’ asks the poet’s psychiatrist. The answer, not surprisingly, but ‘powerfully,’ is Yes.” —Colin McDonald, 57th St. Books, Chicago, IL

“‘Until now, now that I’ve reached my thirties; / All my Muse’s poetry has been harmless.’ This line, from the poem ‘Desired Appreciation,’ speaks to the shock that aging into ‘a brain born into war’ can bring; it’s this shock, this coming-through-the-numbness, that drives Solmaz Sharif’s masterful Look. These poems do not offer narratives of aging beyond trauma. Instead, they are prayers of the most desperate and urgent order. A mother puts a gun in her baby’s crib. Laughter is tape-recorded and bubble-wrapped. Doctors shock dogs to teach themselves about ‘learned helplessness.’ ‘And when she asks / does this mean he will die? I say yes / without worrying it will break her.’” —Will Walton, Avid Bookshop, Athens, GA

“The poems in LOOK challenge the reader to question language and assumptions about meaning. They investigate the way power uses words and words bestow power. But they do more than work the mind. Expect to feel your heart lift and your gut sink.”—Melanie McNair, Malaprop’s Bookstore, Asheville, NC

“Solmaz Sharif’s arresting, harrowing collection, Look, stands front and center among so many stunning poetry debuts published this year. This incendiary book is beautiful and bracing. Through Sharif’s powerful reworking of language, you not only read and hear these words—you come to really see them, and through them, you see the devastation and displacement of war. Look positions life as it is RIGHT NOW, in so many places, for so many people, under assault, bombardment, siege, in exile. Language itself is part of the battlefield, a battlefield Solmaz Sharif takes on with a glint in her words and a fierce, resilient heart.”—Rick Simonson, Elliott Bay Book Company, Seattle, WA

“The language of Solmaz Sharif’s Look is a double-edged sword—one that the poet wields by its blade. An Iranian-American constrained by the War on Terror, Sharif adopts the Orwellian cant of the U.S. Defense Department for her own ends. Take the term “COLLATERAL DAMAGE,” which so neatly obscures the body bag, the bereft family, the ravaged household; in a parody of detachment, Look puts that sterile phrase on a new widow’s tongue, crying out to her husband by the last name the world gave him. Repurposed in defiance of original intent, the military lexicon retains its menace (what casual depravity might “SANITIZE” conceal?), suspending the poems in precarious balance between elusive memory and the numbness of documentation. This book arrests the reader—it is nothing short of vital.” —Lydia McOscar, Brookline Booksmith, Boston, MA

“I find it hard to talk about the atrocities of war without feeling like the words, however bare-boned, are too grandiose, too vibrant, as if the beauty of language is somehow excusing or elevating or making okay the decidedly, horrifically not-okay things it describes. This difficulty is a puzzle I’m still solving, but Solmaz Sharif’s Look has arrived in my life like an all-important clue, a turning point. I can’t think of a contemporary poetry collection that uses fragmentation to such tremendous effect, nor pays such serious, genuine attention to the words of which it’s made. These things–fragmentation, attention to language–are too often simply watchwords in our business, but in Look they feel utterly vital, the only possible way out of this mess.—Mairead Staid, Literati Bookstore, Ann Arbor, MI

“Solmaz Sharif’s Look tells the story of the punishing legacy enduring warfare can have on a family. She expertly utilizes language lifted from the Department of Defense Dictionary of Military and Associated Terms to demonstrate how we have sanitized the language of warfare into something more benign and less deadly. By doing so, we have allowed those who perpetrate warfare into convincing us that the true cost of such wars is not the loss of human life, but the loss of capitalist opportunity. Sharif’s use of language in the collection accomplishes what is, in my view, the essential task of poetry, and that is to engender empathy and speak truth to power. And to that end, LOOK succeeds in spades.”—Matt Keliher, Subtext Bookstore, St. Paul, MN